Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Monday, 21 October 2013

Tenements

In every major city, there are neighbourhoods full of old-style, poorer 'traditional' housing, now re-evaluated, then probably or hopefully, appreciated once more.

In Northern cities, it's the terraces: street full of reconfigured two-up, two down homes. In Scotland meanwhile, it's the tenements. Many of both types of these old homes were demolished – regarded as hovels, since they were considered and designated remorseless incubators of disease and poverty, perhaps with justification. In some places, like the bizarre ‘Pepperpot Park’ in Eccles, they were remade.

Before that, Manchester lost the Georgian slums of Hulme, which were covered with newbuild flats on top of demolished sixties monstrosities, while Glasgow destroyed the largely unmourned Gorbals, celebrated for a sense of community, but universally demonised for overcrowding etc.

Remaining tenements are now considered to be quite desirable. The best examples, like the ‘Greek’ Thomson flats in Cessnock are lovely. I've been told by architects that the reason they are still standing is simply that are very hard to knock down, because they were so well-built and sturdy.

Tenements are far from perfect. In fact they are often problematic. Firstly because when first built, they lacked bathrooms, meaning that several flats (they would never be called apartments) would share an outside toilet, while washing facilities for both human bodies and their clothes were communal, in 'steamies' and bathhouses. Sometimes, the concept or memory of joyous community masks a lack of dignity, with no privacy.

Updated, renovated tenements often have bathrooms placed in what were once cupboards, box-rooms or larders, none of which were designed to vent steam and condensation. The proportions of the newly valued homes might seem generous now, but remember this: visitors, socially minded commentators and charities used to wonder why children always played outside, and blamed parental neglect. The real reason was a large, possibly multi-generational family squeezed and huddled sleeping in 'end tenements.'

The kitchen was the warmest room in the house. Indeed, in some examples it was the only room in the house. Many featured a now illegal niche, which contained, next to the range, a double-bed, where everyone would sleep, well - those not sleeping on the floor, or wherever they could squeeze. That’s one whole family in one bed. Now – that’s actual squalor. This meant bedding next to an open fire, with all that entailed: it was a hazard, and deaths were commonplace.

Glasgow's People's Palace shows an end tenement on permanent display. It's truly sobering to see where people lived, slept, ate, cooked, reproduced somehow and died - all in one tiny, airless room, complete with a chamber pot. There was little dignity, scant room to for privacy, and malnourished occupants would have dreamed of living in a lovely, lofty, airy mansion flat, where they could study, eat, sleep separately and breathe.

These days, no end terraces remain, and all tenements have been refurbished or demolished. Tenements can be cold and hard to insulate, but are still desirable. Please remember this: they now house one or two people, not an entire large family.

Tuesday, 24 November 2009

The Strange Case Of The Missing Architect

I am rarely lost for words; you might even describe me as chatty (well, that’s the polite way of putting it) but the other day, I discovered something that left me absolutely speechless.

I’ve always wondered just who designs those nasty little orange euroboxes like my former home of Dovecot Towers which are disfiguring cities everywhere. Whoever they are, they express their hatred of humanity by designing homes that are less about domestic bliss and more about smiting people with vengeance. I imagine their wizened yellow faces contorted with malice, manically intoning their evil plans and cackling until dawn as they draw up the blueprints, satisfied at the huge amount of misery they inflict upon their enemies.

Who else could be held responsible? I know that developers pay this evil piper to call their tune, but seriously – what were the architects thinking when they designed those meagre little box flats? Does nobody ever reject their demonic plans and drag them out by the scruff of the neck, slapping them as they shout: “You’ve been a very naughty architect!”

In fact truth is worse than that. The architect is invisible and powerless. The architect is absent. You see, there is no architect. Buildings urban twat-flats are designed by anybody who fancies a try.

The excellent blog Bad British Architecture (see links) has coined an excellent phrase, which always makes me laugh: ‘developer vernacular,’ that is, buildings styled and envisaged by developers, who favour cost-saving uniform grey metal fittings and orange brick infill stuck onto a concrete box.

Exactly who is responsible, then? Anybody who fancies giving it a go, basically: the work experience girl, some bloke who was wandering by, the cleaner, the man who delivers the organic veg box, Jeffrey from Rainbow, and (on more than one occasion) a troupe of semi-trained gibbons.

Here’s what happens: they draw a childlike box, with no fripperies, no extras, no fancy accoutrements like strong doors, insulated walls, space, or cupboards. They squeeze everything into their tiny little closet and afterwards put a window-box outside and call it a balcony.

Seriously though – can you imagine the same happening anywhere else, where rank amateurs intent on torturing humanity are given free rein to meddle in what should be a skilled profession and thereby ruin innocent lives? (oh right – apart from letting agents.)

Please tell me I’ve been misinformed: please tell me there’s a law stating that houses must be planned with great skill by people specially trained to this, allowing for safety, comfort and even beauty (shouldn’t our homes be beautiful – if only for the sake of the poor blighters standing outside dumbstruck with horror or pointing and laughing.)

But apparently, that’s the way it is. The plans are drawn up with a stubby crayon, and if we’re lucky, they’re in a straight line and everything! Please tell me that’s not true.

Although thinking about it – why be so churlish? Why not embrace this notion of can-do. Since you’re asking, I’ve always fancied trying a spot of brain surgery, and I’ve also got this great fantastic idea for a nuclear power station. Somebody hire me please – after all, what harm could I possibly do?

Tuesday, 5 May 2009

A Mole For Newbuild Holes

I had a depressing conversation with a builder recently. He was funding his post-grad by working on one of the many developments currently on a bizarre game of build-as-slow-as-you-can. I mentioned that I had more than a passing interest in newbuilds; sort of a hobby, you might say. I wondered what he thought of my suspicions that they are built to a very poor standard (see; I can be tactful when need dictates.)

He offered his technical appraisal of urban newbuild flats, which I’ll try and convey. I’m not an expert, and he was using jargon and complex terminology. He described them as being (what was it now?) ah, that’s it: “crap.” Or did he say “shite?” Oh dear, I could kick myself. You must think me so unprofessional.

I suggested, and he confirmed, that many flats are constructed under the laws of Blue Peter craft-sheets and the wonderful game of Jenga, using balsa-wood, paper-clips and cling-film, and that developers meet planners and building inspectors with fingers crossed behind their backs while kissing a crucifix (inverted of course.) When applications are successful, shame-faced architects slope off to wail, while developers sacrifice a goat (letting-agents drink the blood.)

Bob The Builder (not his real name…) used insider knowledge when he noticed a widening crack in the walls in his former rented home. He assembled housemates in the filigree lounge/kitchen/study/laundry-room/diner to reason with them, in a calm and understated manner: “Run away!!!” he said, adding: “Save yourselves!!!”

I thought it might be plaster shrinkage. He said: don’t be silly. When I told him about Dovecot Towers, he was blank, until he realised that I was expecting him to be shocked.

Whenever I mention the appalling state of modern domestic architecture, its inherent design inadequacies and common structural defects, people think I am making it up, or joking. I’m not. But if anyone reading this is working, or has worked on a building site, could you just confirm that I’m telling the truth. It’s like being the little boy in The Emperor’s New Clothes: I can see the Emperor’s hairy arse, and newbuild flats are terrible.

What’s needed is a friendly, informed mole to help us out of this hole. We need a public-spirited builder who has worked on these monstrosities to become a whistle-blower, and reveal the regime of institutionalised cost-cutting and standard skimming that is the true monstrous carbuncle defacing contemporary architecture, and blighting daily life for tenants.

Incidentally, when I heard that one of the worst culprits for building these miserable hutches is in financial trouble, I laughed so hard that tea came out of my nose (apparently, a similar trick is performed in Bangkok.)

If justice is to be served, that particular firm will go bankrupt, its directors forced to rent a flat where the washing-machine is effectively next to the sofa, where you can hear neighbours whisper and piss, where you worry about falling through ceilings if you tread too hard, and where your post is stolen. Nice Heights (my final decision on the official nickname btw) is proof that great buildings are possible, so let it be done more often.